A famous painter of Indians and Indian scen . American , 1814-1872 American , 1814-1872,was an American painter of landscapes, portraits and Native American life. He was born in Canandaigua, New York and orphaned at the age of 12. At age 14, Stanley became an apprentice to a coach maker. Looking for better work, he moved to west in 1832 and became a painter of signs and portraits. In spring 1843 Stanley accompanied the party of Indian agent Pierce M. Butler to the Tehuacana Creek Council. At the outbreak of the Mexican War in 1845, John Mix Stanley joined Colonel Stephen Watts Kearney's expedition to California and produced many sketches and paintings of the campaign. He traveled to Hawaii in 1848 and spent a year painting portraits of members of the royal family. He traveled across the Isthmus of Panama in 1853. He also painted Comanche warriors in their natural environment. He moved to Detroit in 1864 and remained there for the rest of his life. Stanley helped to found a forerunner of the Detroit Institute of Arts and to incorporate the National Gallery and School of Arts. Stanley's primary interests and sympathies were with the Indians. The Smithsonian exhibited his pictures, but Congress never appropriated monies for them. More than 200 of his works were destroyed in the Smithsonian fire of 1865.  Related Paintings of John Mix Stanley :. | River in a Mountain Landscape | Buffalo Hunt on the Southwestern Prairies | Hawaiian Girl with Dog | Detail from Oregon City on the Willamette River | Portrait of Princess Manaiula Tehuiarii, granddaughter of King Pomare I of Tahiti, Wife of High Chief William Kealaloa Kahanui Sumner |
Related Artists:
Albert Gallatin Hoit
Albert Gallatin Hoit (December 13, 1809 - December 18, 1856) was an American painter who lived in Boston, Massachusetts. He painted portraits of William Henry Harrison, Daniel Webster and Brenton Halliburton. Hoit was born in Sandwich, New Hampshire, December 13, 1809, to Gen. Daniel Hoit and Sally Flanders. Siblings included William Henry Hoit. Hoit graduated from Dartmouth College in 1829. He married Susan Hanson in 1838; children included Anna M. Hoit. Hoit "devoted his life to portrait painting, first at Portland, Maine, in 1831, and then in Bangor and Belfast, Maine, and St. John's, N.B. until Boston, Mass., became his permanent home in 1839." He also travelled in Europe, "Oct. 1842 to July 1844, ... enjoying the galleries of art in Italy, Paris, and London." He created portraits of Pietro Bachi, Johanna Robinson Hazen, J. Eames, and others. He painted a portrait of Daniel Webster "for Paran Stevens, which hung for years in the Revere House, Boston, and now belongs to the Union League Club, New York." He was affiliated with the Boston Artists' Association; and exhibited at the gallery of the New England Art Union in the 1850s. In 1848, he kept a studio on Tremont Row in Boston, and lived in Roxbury. By 1852, he'd moved his studio to Washington Street. Hoit died in Jamaica Plain, December 18, 1856, at age 47.
Jan Philip van Thielen
(Mechelen, 1618 - Mechelin, 1667) was a Flemish Baroque painter who specialized in flowers. Van Thielen was the son of a minor nobleman and eventually assumed the title of Lord of Couwenberch. In 1631 or 1632 he began studying at the age of thirteen with his future brother-in-law, the history painter Theodoor Rombouts (1597-1637), and in 1641 he commenced his studies with the flower painter Daniel Seghers (1590-1661). According to Houbraken (who mistakenly wrote his birth year as 1681 instead of 1618), his reputation during his lifetime was such that he received patronage from the Spanish crown,
Frederick richard pickersgill,R.A.
1820-1900 was an English painter and book illustrator. Born into a family of artists, he was admitted to the Royal Academy Schools in 1840. He did some book illustrations for the works of John Milton and Edgar Allan Poe. Pickersgill's The Burial of Harold was accepted as a decoration for the Houses of Parliament in 1847. He also did some landscapes under the influence of the Pre-Raphaelites. In 1856 Pickersgill was photographed at 'The Photographed Institute' by Robert Howlett, as part of a series of portraits of 'fine artists'.